Growing Up on a Musical Diet of Presley and Blondie
Hayley Williams of Paramore on Her New Album
The Tennessee pop-punk band Paramore, fronted by Hayley Williams, is attempting a reintroduction. It has to. Its self-titled fourth album, just released on Fueled by Ramen, follows two years of turmoil in which the brothers Josh and Zac Farro, the nine-year-old band’s founding guitarist and drummer, quit. On his blog Josh Farro called Paramore “a manufactured product of a major label” and accused Ms. Williams of hogging the spotlight. She stood up for her band and its authenticity on MTV. (Zac Farro later said his brotherhad regrets about the post.)
Now the remaining members — Ms. Williams, the Tang-haired singer and songwriter; the guitarist and songwriter Taylor York; and the bassist Jeremy Davis — have regrouped as a trio, working with the producer Justin Meldal-Johnsen, who has recorded with Beck and M83. “He let us be the band that we needed to be, and kind of weather our own storms,” Ms. Williams said. “And we found when we pushed ourselves and were a little bit less afraid of our influences as musicians, the boundaries were a lot farther.”
“If you haven’t heard any Paramore albums,” she added, “start with this one and not the first one.”
In the last year Ms. Williams, 24, also moved away from home in Nashville, renting an apartment in Los Angeles, partly so she can be closer to her boyfriend, Chad Gilbert, guitarist of the rock band New Found Glory. But she’s eager to be on the road again, even on the smaller stages where she began.
“Obviously it wasn’t roses going in a van for a lot of years; it was hard work,” she said. “I remember my butt just being numb all the time from just sitting in the van. But I’m a supernostalgic person. It’s an old energy that’s really great to feel.”
She spoke with Melena Ryzik from a tour stop in London, about the near-split and a family run-in with Elvis Presley. These are excerpts from the conversation.
Q. How was writing without Josh and Zac?
A. We started writing, and we were doing things that we had done before, and it was so boring. There was no inspiration. I remember bringing Taylor a random melody that I had saved in my voice memos, and we turned it into this song called “True.” And it was like, this kind of sounds like Paramore. We had 23 songs that all sounded like they came from different parents. We’re two men down, and something unpredicted [had to happen]. Continue Reading